A data profile of the people who buy, follow and care about Blow (film) in United States — modelled from more than twelve digital signal sources. Blow (film) has an estimated audience of 2,274,027 people in United States.
The average Blow (film) fan in United States is 44.1 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Requiem for a Dream, Homecoming, A History of Violence, with strongest over-indexing on Requiem for a Dream (66.17× the country average).
Demographically, the Blow (film) audience skews balanced with an average age of 44.1, and over-indexes on personality traits such as Patriotism, Indulgence.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Blow (film) fan in United States is balanced, around 44.1 years old, with strong Patriotism tendencies and a notable affinity for Requiem for a Dream.
The key figures that characterise the Blow (film) profile in United States.
50.0% are female, 50.0% are male, average age 44.1.
| Metric | Value |
|---|---|
| Female | 50.0% |
| Male | 50.0% |
| Average age | 44.1 |
| Estimated audience size | 2,274,027 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 12% | |
| 20-29 | 13% | |
| 30-39 | 18% | |
| 40-49 | 24% | |
| 50+ | 32% |
Where the Blow (film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Nebraska | ~20K | 1.58× | |
| 02 | New Mexico | ~20K | 1.39× | |
| 03 | Mississippi | ~20K | 1.23× | |
| 04 | Texas | ~200K | 1.20× | |
| 05 | Louisiana | ~40K | 1.20× | |
| 06 | Arizona | ~50K | 1.16× | |
| 07 | Kentucky | ~30K | 1.12× | |
| 08 | Oklahoma | ~30K | 1.12× | |
| 09 | California | ~300K | 1.08× | |
| 10 | Indiana | ~50K | 1.07× | |
| 11 | Nevada | ~20K | 1.07× | |
| 12 | Alabama | ~30K | 1.06× | |
| 13 | Arkansas | ~20K | 1.06× | |
| 14 | North Dakota | ~5K | 1.06× | |
| 15 | Missouri | ~40K | 1.05× | |
| 16 | Kansas | ~20K | 1.05× | |
| 17 | Illinois | ~80K | 1.04× | |
| 18 | Ohio | ~70K | 1.04× | |
| 19 | Iowa | ~20K | 1.04× | |
| 20 | Michigan | ~60K | 1.03× | |
| 21 | West Virginia | ~10K | 1.03× | |
| 22 | Tennessee | ~50K | 1.02× | |
| 23 | Georgia | ~70K | 1.01× | |
| 24 | South Carolina | ~40K | 1.01× | |
| 25 | Colorado | ~40K | 1.00× | |
| 26 | Montana | ~6K | 1.00× | |
| 27 | Florida | ~200K | 0.99× | |
| 28 | North Carolina | ~70K | 0.99× | |
| 29 | South Dakota | ~5K | 0.97× | |
| 30 | Wisconsin | ~30K | 0.96× | |
| 31 | Idaho | ~10K | 0.96× | |
| 32 | Maine | ~8K | 0.96× | |
| 33 | Minnesota | ~30K | 0.94× | |
| 34 | Rhode Island | ~7K | 0.93× | |
| 35 | Pennsylvania | ~70K | 0.92× | |
| 36 | Massachusetts | ~40K | 0.92× | |
| 37 | Oregon | ~20K | 0.92× | |
| 38 | New York | ~100K | 0.91× | |
| 39 | Delaware | ~6K | 0.91× | |
| 40 | Alaska | ~4K | 0.91× | |
| 41 | Connecticut | ~20K | 0.90× | |
| 42 | New Hampshire | ~8K | 0.88× | |
| 43 | Utah | ~20K | 0.86× | |
| 44 | Maryland | ~30K | 0.85× | |
| 45 | New Jersey | ~50K | 0.84× | |
| 46 | Virginia | ~50K | 0.84× | |
| 47 | Washington | ~40K | 0.84× | |
| 48 | Vermont | ~3K | 0.81× | |
| 49 | Hawaii | ~8K | 0.80× | |
| 50 | Washington, District of Columbia | ~5K | 0.72× |
The strongest cross-interests of the Blow (film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | A History of Violence | Movies & TV | 81.63× | ||
| 02 | Requiem for a Dream | Movies & TV | 66.17× | ||
| 03 | Homecoming | Kids & Family | 58.22× | ||
| 04 | Panic Room | Movies & TV | 55.92× | ||
| 05 | Cateye | Cars & Mobility | 38.88× | ||
| 06 | Kiss Kiss Bang Bang | Movies & TV | 38.65× | ||
| 07 | End of Watch | Movies & TV | 24.21× | ||
| 08 | Inception | Movies & TV | 15.63× | ||
| 09 | Toni Collette | Movies & TV | 15.63× | ||
| 10 | Fine Wine & Good Spirits | Shopping | 15.63× | ||
| 11 | Zoolander | Movies & TV | 14.36× | ||
| 12 | Miami Vice | Movies & TV | 14.27× | ||
| 13 | Beverly Hills Cop | Movies & TV | 13.70× | ||
| 14 | Dumb and Dumber | Movies & TV | 12.12× | ||
| 15 | Jack Nicholson | Movies & TV | 11.38× | ||
| 16 | Emma Roberts | Movies & TV | 11.13× | ||
| 17 | Alexis Bledel | Movies & TV | 10.29× | ||
| 18 | Joey King | Movies & TV | 9.26× | ||
| 19 | Sarah Michelle Gellar | Movies & TV | 8.31× | ||
| 20 | Obsessed (2009 film) | Movies & TV | 4.77× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 3.54× | |
| Indulgence | JOY | 2.73× | |
| Need for Security | CONSERVATISM | 1.41× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.69× | |
| Pet Ownership | JOY | 0.82× | |
| Sustainability | BALANCE | 0.85× |
Blow (film) has an estimated audience of 2,274,027 people in United States, concentrated in California and Texas.
50.0% of Blow (film) fans are female, 50.0% are male, with an average age of 44.1 years.
Blow (film) fans show strongest brand affinity for Requiem for a Dream (66.17×), Homecoming (58.22×), and A History of Violence (81.63×) over the country average.
Blow (film) fans in United States are most concentrated in California (reach ~300K), Texas (reach ~200K), and Florida (reach ~200K). These three regions account for the largest share of the active audience.
Beyond Blow (film) itself, the audience over-indexes on Homecoming (58.22×), A History of Violence (81.63×), Cateye (38.88×), and Panic Room (55.92×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Blow (film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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