Rascasse Audience Intelligence

Cultural history Audience in United Kingdom

A data profile of the people who buy, follow and care about Cultural history in United Kingdom — modelled from more than twelve digital signal sources. Cultural history has an estimated audience of 3,186,232 people in United Kingdom.

The average Cultural history fan in United Kingdom is 48.6 years old, more female, and lives primarily in England.

The audience is concentrated in England, South East, North West.

Top brand affinities include Cultural heritage, Donald Trump, Art exhibition, with strongest over-indexing on Cultural heritage (15.5× the country average).

Demographically, the Cultural history audience skews more female with an average age of 48.6, and over-indexes on personality traits such as Patriotism, Risk Appetite.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 12 regions tracked by Rascasse.

The typical Cultural history fan in United Kingdom is more female, around 48.6 years old, with strong Patriotism tendencies and a notable affinity for Cultural heritage.

Category: Arts & Culture · Type: Topic

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Cultural history profile in United Kingdom.

Audience size
3.2M
in United Kingdom
Gender
57.1%
42.9% male
Age
48.6
average years
Country rank
#2308
Topic in United Kingdom
Fig. 01

Search interest · 12-month trend

-24%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Cultural history fans

57.1% are female, 42.9% are male, average age 48.6.

Fig. 02

Gender split

57.1%
Female
42.9%
Male
Demographic split for Cultural history audience in United Kingdom
MetricValue
Female57.1%
Male42.9%
Average age48.6
Estimated audience size3,186,232
Fig. 03

Age distribution

Ø 48.6
average years
Age distribution of the Cultural history audience in United Kingdom
Age bracketShare%
16-195%
20-2911%
30-3914%
40-4920%
50+49%
Fig. 04

Worldwide distribution

5.4%

of the worldwide Cultural history audience comes from United Kingdom.

Worldwide audience distribution share by country for Cultural history
CountryShare
United States11.9%
China7.2%
Italy6.7%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United Kingdom average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Cultural history audience in United Kingdom is strongest.

Fig. 05

Top regions by affinity

Cultural history fans by region: top regions in United Kingdom
#RegionReachAffinity×
01Wales~200K1.08×
02South West~300K1.05×
03West Midlands~100K1.04×
04South East~400K1.03×
05East of England~300K1.03×
06East Midlands~200K1.01×
07North East~100K1.00×
08Northern Ireland~100K1.00×
09Yorkshire and the Humber~300K0.99×
10Scotland~300K0.97×
11North West~300K0.92×
12England~2.5M0.84×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Cultural history audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Cultural history audience
#·InterestCategoryAffinity×
01CubismArts & Culture19.89×
02Cultural heritagePolitics & Society15.50×
03Online learning communityBusiness & Career13.66×
04Frieze Art FairArts & Culture9.70×
05ZootopiaMovies & TV8.63×
06TUI CruisesTravel & Leisure8.48×
07NikonTechnology & Electronics8.21×
08CanonTechnology & Electronics7.87×
09Metropolitan Museum of ArtArts & Culture7.61×
10Flea marketHome & Garden5.36×
11Art exhibitionArts & Culture4.16×
12Donald TrumpPolitics & Society3.24×
13Property finderHome & Garden3.17×
14MuseumArts & Culture2.96×
15Contemporary artArts & Culture2.65×
16Fine artBusiness & Career2.45×
17Local foodFood & Beverages2.41×
18EasyJetTravel & Leisure2.29×
19Do it yourself (DIY)Home & Garden1.89×
20SupermanMovies & TV1.88×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Cultural history audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

What stands out
The strongest tendencies
Top personality traits over-indexed by Cultural history audience · What stands out
TraitClusterDeviationScore
PatriotismCONSERVATISM3.32×
Risk AppetiteTHRILL2.13×
Design AffinityPREMIUM1.89×
1.00× baseline
Rather not
The weakest tendencies
Top personality traits over-indexed by Cultural history audience · Rather not
TraitClusterDeviationScore
Need for SecurityCONSERVATISM0.87×
Social Media UsageJOY0.91×
Convenience OrientationPREMIUM0.97×
1.00× baseline
Section 06

Frequently asked questions

01

How many fans does Cultural history have in United Kingdom?

Cultural history has an estimated audience of 3,186,232 people in United Kingdom, concentrated in England and South East.

02

What is the gender split and age of Cultural history fans?

57.1% of Cultural history fans are female, 42.9% are male, with an average age of 48.6 years.

03

Which brands do Cultural history fans like most?

Cultural history fans show strongest brand affinity for Cultural heritage (15.5×), Donald Trump (3.24×), and Art exhibition (4.16×) over the country average.

04

Where do Cultural history fans live in United Kingdom?

Cultural history fans in United Kingdom are most concentrated in England (reach ~2.5M), South East (reach ~400K), and North West (reach ~300K). These three regions account for the largest share of the active audience.

05

What other brands do Cultural history fans also like?

Beyond Cultural history itself, the audience over-indexes on Donald Trump (3.24×), Art exhibition (4.16×), TUI Cruises (8.48×), and Cubism (19.89×) compared to the United Kingdom average.

Appendix

Explore more audiences

Related profiles, rankings and the same audience in other markets.

How to read this data

Audience size is the estimated number of people in United Kingdom who actively search for Cultural history. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United Kingdom. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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