A data profile of the people who buy, follow and care about Lost Highway (film) in United States — modelled from more than twelve digital signal sources. Lost Highway (film) has an estimated audience of 796,957 people in United States.
The average Lost Highway (film) fan in United States is 49.8 years old, more male, and lives primarily in California.
The audience is concentrated in California, New York, Texas.
Top brand affinities include Eraserhead, Air Transat, Juan Luis Guerra, with strongest over-indexing on Eraserhead (108.9× the country average).
Demographically, the Lost Highway (film) audience skews more male with an average age of 49.8, and over-indexes on personality traits such as Patriotism, Community Orientation.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Lost Highway (film) fan in United States is more male, around 49.8 years old, with strong Patriotism tendencies and a notable affinity for Eraserhead.
The key figures that characterise the Lost Highway (film) profile in United States.
41.9% are female, 58.1% are male, average age 49.8.
| Metric | Value |
|---|---|
| Female | 41.9% |
| Male | 58.1% |
| Average age | 49.8 |
| Estimated audience size | 796,957 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 8% | |
| 20-29 | 4% | |
| 30-39 | 10% | |
| 40-49 | 26% | |
| 50+ | 51% |
Where the Lost Highway (film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Oregon | ~10K | 1.70× | |
| 02 | New York | ~50K | 1.48× | |
| 03 | Washington | ~20K | 1.44× | |
| 04 | Massachusetts | ~20K | 1.44× | |
| 05 | California | ~100K | 1.39× | |
| 06 | Washington, District of Columbia | ~3K | 1.34× | |
| 07 | Vermont | ~1K | 1.33× | |
| 08 | Oklahoma | ~9K | 1.25× | |
| 09 | Illinois | ~30K | 1.23× | |
| 10 | Maine | ~3K | 1.21× | |
| 11 | Colorado | ~10K | 1.19× | |
| 12 | Connecticut | ~7K | 1.16× | |
| 13 | Montana | ~2K | 1.16× | |
| 14 | Rhode Island | ~2K | 1.15× | |
| 15 | Pennsylvania | ~20K | 1.13× | |
| 16 | Minnesota | ~10K | 1.11× | |
| 17 | Kentucky | ~9K | 1.10× | |
| 18 | New Mexico | ~3K | 1.07× | |
| 19 | New Hampshire | ~3K | 1.06× | |
| 20 | Missouri | ~10K | 1.05× | |
| 21 | Utah | ~6K | 1.02× | |
| 22 | Ohio | ~20K | 1.01× | |
| 23 | Tennessee | ~10K | 1.01× | |
| 24 | Michigan | ~20K | 1.00× | |
| 25 | Nevada | ~6K | 1.00× | |
| 26 | New Jersey | ~20K | 0.99× | |
| 27 | Virginia | ~20K | 0.99× | |
| 28 | Indiana | ~10K | 0.96× | |
| 29 | Nebraska | ~3K | 0.96× | |
| 30 | Wisconsin | ~9K | 0.95× | |
| 31 | Arizona | ~10K | 0.92× | |
| 32 | Kansas | ~5K | 0.91× | |
| 33 | Idaho | ~3K | 0.91× | |
| 34 | West Virginia | ~3K | 0.91× | |
| 35 | Iowa | ~5K | 0.90× | |
| 36 | Louisiana | ~7K | 0.88× | |
| 37 | Texas | ~50K | 0.87× | |
| 38 | Arkansas | ~5K | 0.87× | |
| 39 | Georgia | ~20K | 0.86× | |
| 40 | Maryland | ~9K | 0.86× | |
| 41 | South Dakota | ~1K | 0.86× | |
| 42 | North Carolina | ~20K | 0.85× | |
| 43 | North Dakota | ~1K | 0.84× | |
| 44 | Delaware | ~1K | 0.82× | |
| 45 | Alaska | ~1K | 0.81× | |
| 46 | Hawaii | ~2K | 0.74× | |
| 47 | Florida | ~30K | 0.73× | |
| 48 | South Carolina | ~7K | 0.72× | |
| 49 | Mississippi | ~4K | 0.72× | |
| 50 | Alabama | ~5K | 0.57× |
The strongest cross-interests of the Lost Highway (film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Eraserhead | Movies & TV | 108.90× | ||
| 02 | Air Transat | Travel & Leisure | 77.84× | ||
| 03 | Juan Luis Guerra | Music & Radio | 54.88× | ||
| 04 | Vaporwave | Music & Radio | 26.92× | ||
| 05 | TV Guide | Movies & TV | 10.63× | ||
| 06 | International education | Business & Career | 9.27× | ||
| 07 | Dead Poets Society | Movies & TV | 8.52× | ||
| 08 | There Will Be Blood | Movies & TV | 8.27× | ||
| 09 | Graphic novel | Literature | 6.64× | ||
| 10 | Disneyland Paris | Travel & Leisure | 5.53× | ||
| 11 | Guardians of the Galaxy (film) | Movies & TV | 4.81× | ||
| 12 | Psychological thriller | Literature | 3.71× | ||
| 13 | Broadway theatre | Travel & Leisure | 3.57× | ||
| 14 | Watercolor painting | Arts & Culture | 3.36× | ||
| 15 | DC Comics | Literature | 3.23× | ||
| 16 | Digital art | Arts & Culture | 2.96× | ||
| 17 | Pokémon | Games | 2.84× | ||
| 18 | Independent film | Movies & TV | 2.54× | ||
| 19 | Radio | Technology & Electronics | 2.36× | ||
| 20 | Superman | Movies & TV | 1.95× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 2.45× | |
| Community Orientation | OPEN | 1.71× | |
| Urban Lifestyle | OPEN | 1.54× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Family Orientation | CONSERVATISM | 0.81× | |
| Quality Awareness | PREMIUM | 0.85× | |
| Healthy Lifestyle | BALANCE | 0.94× |
Lost Highway (film) has an estimated audience of 796,957 people in United States, concentrated in California and New York.
41.9% of Lost Highway (film) fans are female, 58.1% are male, with an average age of 49.8 years.
Lost Highway (film) fans show strongest brand affinity for Eraserhead (108.9×), Air Transat (77.84×), and Juan Luis Guerra (54.88×) over the country average.
Lost Highway (film) fans in United States are most concentrated in California (reach ~100K), New York (reach ~50K), and Texas (reach ~50K). These three regions account for the largest share of the active audience.
Beyond Lost Highway (film) itself, the audience over-indexes on Air Transat (77.84×), Juan Luis Guerra (54.88×), Vaporwave (26.92×), and Superman (1.95×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Lost Highway (film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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