A data profile of the people who buy, follow and care about Postmodernism in United States — modelled from more than twelve digital signal sources. Postmodernism has an estimated audience of 4,633,297 people in United States.
The average Postmodernism fan in United States is 42.3 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Art movement, Edie Sedgwick, Globalization, with strongest over-indexing on Art movement (17.87× the country average).
Demographically, the Postmodernism audience skews more female with an average age of 42.3, and over-indexes on personality traits such as Design Affinity, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Postmodernism fan in United States is more female, around 42.3 years old, with strong Design Affinity tendencies and a notable affinity for Art movement.
The key figures that characterise the Postmodernism profile in United States.
58.7% are female, 41.3% are male, average age 42.3.
| Metric | Value |
|---|---|
| Female | 58.7% |
| Male | 41.3% |
| Average age | 42.3 |
| Estimated audience size | 4,633,297 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 15% | |
| 20-29 | 17% | |
| 30-39 | 19% | |
| 40-49 | 20% | |
| 50+ | 29% |
Where the Postmodernism audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Vermont | ~10K | 1.38× | |
| 02 | Washington, District of Columbia | ~20K | 1.37× | |
| 03 | Rhode Island | ~20K | 1.35× | |
| 04 | California | ~700K | 1.31× | |
| 05 | Oregon | ~70K | 1.31× | |
| 06 | Massachusetts | ~100K | 1.27× | |
| 07 | Washington | ~100K | 1.25× | |
| 08 | New York | ~300K | 1.21× | |
| 09 | Colorado | ~90K | 1.18× | |
| 10 | Utah | ~50K | 1.12× | |
| 11 | Connecticut | ~50K | 1.08× | |
| 12 | Indiana | ~90K | 1.05× | |
| 13 | Virginia | ~100K | 1.04× | |
| 14 | Tennessee | ~100K | 1.04× | |
| 15 | Maine | ~20K | 1.04× | |
| 16 | Idaho | ~20K | 1.03× | |
| 17 | Montana | ~10K | 1.03× | |
| 18 | Pennsylvania | ~200K | 1.02× | |
| 19 | Minnesota | ~70K | 1.02× | |
| 20 | New Hampshire | ~20K | 1.01× | |
| 21 | North Carolina | ~100K | 1.00× | |
| 22 | Illinois | ~200K | 0.98× | |
| 23 | Maryland | ~80K | 0.98× | |
| 24 | Arkansas | ~40K | 0.98× | |
| 25 | Georgia | ~100K | 0.97× | |
| 26 | Wisconsin | ~70K | 0.97× | |
| 27 | Kansas | ~40K | 0.97× | |
| 28 | Louisiana | ~60K | 0.95× | |
| 29 | Alaska | ~9K | 0.94× | |
| 30 | Arizona | ~90K | 0.93× | |
| 31 | Missouri | ~70K | 0.93× | |
| 32 | Oklahoma | ~50K | 0.93× | |
| 33 | Iowa | ~40K | 0.93× | |
| 34 | New Mexico | ~20K | 0.93× | |
| 35 | Texas | ~400K | 0.91× | |
| 36 | Ohio | ~100K | 0.91× | |
| 37 | Michigan | ~100K | 0.91× | |
| 38 | Alabama | ~60K | 0.91× | |
| 39 | Nebraska | ~20K | 0.90× | |
| 40 | West Virginia | ~20K | 0.90× | |
| 41 | Hawaii | ~20K | 0.90× | |
| 42 | Kentucky | ~50K | 0.89× | |
| 43 | North Dakota | ~8K | 0.89× | |
| 44 | South Carolina | ~60K | 0.88× | |
| 45 | New Jersey | ~100K | 0.87× | |
| 46 | Florida | ~300K | 0.85× | |
| 47 | South Dakota | ~9K | 0.85× | |
| 48 | Nevada | ~40K | 0.83× | |
| 49 | Mississippi | ~30K | 0.81× | |
| 50 | Delaware | ~10K | 0.80× |
The strongest cross-interests of the Postmodernism audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Barcelona Museum of Contemporary Art | Arts & Culture | 68.69× | ||
| 02 | Edie Sedgwick | Fashion & Accessoires | 67.06× | ||
| 03 | Joan Miró | Arts & Culture | 48.76× | ||
| 04 | Richard Avedon | Arts & Culture | 43.74× | ||
| 05 | Edvard Munch | Arts & Culture | 39.35× | ||
| 06 | Mark Rothko | Arts & Culture | 38.80× | ||
| 07 | Edgar Degas | Arts & Culture | 35.04× | ||
| 08 | Cindy Sherman | Arts & Culture | 34.78× | ||
| 09 | Rembrandt | Arts & Culture | 26.67× | ||
| 10 | Raphael | Arts & Culture | 19.40× | ||
| 11 | Georgia O'Keeffe | Arts & Culture | 18.79× | ||
| 12 | Debbie Harry | Music & Radio | 18.12× | ||
| 13 | Art movement | Arts & Culture | 17.87× | ||
| 14 | Futurism | Politics & Society | 14.78× | ||
| 15 | Globalization | Politics & Society | 10.67× | ||
| 16 | Modernism | Arts & Culture | 7.68× | ||
| 17 | HighSchool | Music & Radio | 6.42× | ||
| 18 | United States Senate | Politics & Society | 5.25× | ||
| 19 | Conceptual art | Arts & Culture | 4.80× | ||
| 20 | United States | Travel & Leisure | 1.73× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Design Affinity | PREMIUM | 2.11× | |
| Tradition | CONSERVATISM | 1.83× | |
| Mindfulness | BALANCE | 1.78× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Pet Ownership | JOY | 1.20× | |
| Healthy Lifestyle | BALANCE | 1.29× | |
| Extroversion | THRILL | 1.34× |
Postmodernism has an estimated audience of 4,633,297 people in United States, concentrated in California and Texas.
58.7% of Postmodernism fans are female, 41.3% are male, with an average age of 42.3 years.
Postmodernism fans show strongest brand affinity for Art movement (17.87×), Edie Sedgwick (67.06×), and Globalization (10.67×) over the country average.
Postmodernism fans in United States are most concentrated in California (reach ~700K), Texas (reach ~400K), and New York (reach ~300K). These three regions account for the largest share of the active audience.
Beyond Postmodernism itself, the audience over-indexes on Edie Sedgwick (67.06×), Globalization (10.67×), Edvard Munch (39.35×), and Barcelona Museum of Contemporary Art (68.69×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Postmodernism. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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