A data profile of the people who buy, follow and care about Art movement in United States — modelled from more than twelve digital signal sources. Art movement has an estimated audience of 7,663,921 people in United States.
The average Art movement fan in United States is 39.6 years old, balanced, and lives primarily in Texas.
The audience is concentrated in Texas, California, Florida.
Top brand affinities include Harlan Coben, Postmodernism, Digital art, with strongest over-indexing on Harlan Coben (45.77× the country average).
Demographically, the Art movement audience skews balanced with an average age of 39.6, and over-indexes on personality traits such as Urban Lifestyle, Mindfulness.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Art movement fan in United States is balanced, around 39.6 years old, with strong Urban Lifestyle tendencies and a notable affinity for Harlan Coben.
The key figures that characterise the Art movement profile in United States.
54.7% are female, 45.3% are male, average age 39.6.
| Metric | Value |
|---|---|
| Female | 54.7% |
| Male | 45.3% |
| Average age | 39.6 |
| Estimated audience size | 7,663,921 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 20% | |
| 20-29 | 19% | |
| 30-39 | 19% | |
| 40-49 | 20% | |
| 50+ | 22% |
of the worldwide Art movement audience comes from United States.
| Country | Share |
|---|---|
| United States | 30.8% |
| Italy | 8.2% |
| United Kingdom | 7.1% |
Where the Art movement audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Texas | ~1M | 1.48× | |
| 02 | Georgia | ~300K | 1.34× | |
| 03 | Arizona | ~200K | 1.29× | |
| 04 | Kentucky | ~100K | 1.28× | |
| 05 | Oklahoma | ~100K | 1.28× | |
| 06 | South Carolina | ~100K | 1.25× | |
| 07 | Indiana | ~200K | 1.22× | |
| 08 | Kansas | ~70K | 1.19× | |
| 09 | North Carolina | ~300K | 1.17× | |
| 10 | Arkansas | ~70K | 1.17× | |
| 11 | South Dakota | ~20K | 1.13× | |
| 12 | California | ~900K | 1.07× | |
| 13 | Maryland | ~100K | 1.06× | |
| 14 | Hawaii | ~30K | 1.06× | |
| 15 | Idaho | ~40K | 1.05× | |
| 16 | Nebraska | ~40K | 1.05× | |
| 17 | Ohio | ~200K | 1.04× | |
| 18 | North Dakota | ~20K | 1.04× | |
| 19 | Colorado | ~100K | 1.02× | |
| 20 | Utah | ~70K | 1.02× | |
| 21 | Nevada | ~70K | 1.00× | |
| 22 | Florida | ~500K | 0.99× | |
| 23 | Missouri | ~100K | 0.99× | |
| 24 | Louisiana | ~100K | 0.99× | |
| 25 | West Virginia | ~40K | 0.99× | |
| 26 | Washington, District of Columbia | ~20K | 0.99× | |
| 27 | Vermont | ~10K | 0.99× | |
| 28 | Montana | ~20K | 0.98× | |
| 29 | Pennsylvania | ~300K | 0.97× | |
| 30 | Wisconsin | ~100K | 0.96× | |
| 31 | Alaska | ~20K | 0.96× | |
| 32 | New York | ~400K | 0.95× | |
| 33 | Michigan | ~200K | 0.95× | |
| 34 | Minnesota | ~100K | 0.95× | |
| 35 | New Mexico | ~40K | 0.95× | |
| 36 | Virginia | ~200K | 0.94× | |
| 37 | Washington | ~100K | 0.94× | |
| 38 | Tennessee | ~100K | 0.93× | |
| 39 | Iowa | ~60K | 0.93× | |
| 40 | Mississippi | ~60K | 0.93× | |
| 41 | Rhode Island | ~20K | 0.93× | |
| 42 | Maine | ~30K | 0.91× | |
| 43 | Illinois | ~200K | 0.90× | |
| 44 | Oregon | ~80K | 0.89× | |
| 45 | Delaware | ~20K | 0.88× | |
| 46 | New Jersey | ~200K | 0.86× | |
| 47 | New Hampshire | ~30K | 0.86× | |
| 48 | Alabama | ~90K | 0.85× | |
| 49 | Massachusetts | ~100K | 0.83× | |
| 50 | Connecticut | ~60K | 0.81× |
The strongest cross-interests of the Art movement audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Harlan Coben | Literature | 45.77× | ||
| 02 | Postmodernism | Arts & Culture | 17.87× | ||
| 03 | International education | Business & Career | 11.89× | ||
| 04 | Art dealer | Arts & Culture | 11.89× | ||
| 05 | Portrait painting | Arts & Culture | 8.14× | ||
| 06 | Digital art | Arts & Culture | 5.75× | ||
| 07 | Abstract art | Arts & Culture | 5.51× | ||
| 08 | Graphic novel | Literature | 5.10× | ||
| 09 | Watercolor painting | Arts & Culture | 4.85× | ||
| 10 | Oil painting | Arts & Culture | 4.76× | ||
| 11 | Art exhibition | Arts & Culture | 4.54× | ||
| 12 | Street art | Arts & Culture | 4.44× | ||
| 13 | Poshmark | Shopping | 4.20× | ||
| 14 | Plastic arts | Arts & Culture | 4.11× | ||
| 15 | Modern art | Arts & Culture | 3.45× | ||
| 16 | Contemporary art | Arts & Culture | 3.21× | ||
| 17 | Broadway theatre | Travel & Leisure | 3.08× | ||
| 18 | Museum | Arts & Culture | 2.83× | ||
| 19 | ULTA Beauty | Beauty & Wellness | 2.76× | ||
| 20 | Fine art | Business & Career | 2.68× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Urban Lifestyle | OPEN | 2.12× | |
| Mindfulness | BALANCE | 1.77× | |
| Design Affinity | PREMIUM | 1.70× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Quality Awareness | PREMIUM | 0.90× | |
| DIY Mentality | THRILL | 0.94× | |
| Social Media Usage | JOY | 0.97× |
Art movement has an estimated audience of 7,663,921 people in United States, concentrated in Texas and California.
54.7% of Art movement fans are female, 45.3% are male, with an average age of 39.6 years.
Art movement fans show strongest brand affinity for Harlan Coben (45.77×), Postmodernism (17.87×), and Digital art (5.75×) over the country average.
Art movement fans in United States are most concentrated in Texas (reach ~1M), California (reach ~900K), and Florida (reach ~500K). These three regions account for the largest share of the active audience.
Beyond Art movement itself, the audience over-indexes on Postmodernism (17.87×), Digital art (5.75×), International education (11.89×), and Abstract art (5.51×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Art movement. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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