A data profile of the people who buy, follow and care about Rock music in United States — modelled from more than twelve digital signal sources. Rock music has an estimated audience of 108,887,606 people in United States.
The average Rock music fan in United States is 40.5 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Red Bull Records, Crossroads Trading Company, Grand Turk Island, with strongest over-indexing on Red Bull Records (1.61× the country average).
Demographically, the Rock music audience skews balanced with an average age of 40.5, and over-indexes on personality traits such as Social Media Usage, Pet Ownership.
Compared to the country baseline, this audience shows distinctive patterns across 11 brand affinities and 50 regions tracked by Rascasse.
The typical Rock music fan in United States is balanced, around 40.5 years old, with strong Social Media Usage tendencies and a notable affinity for Red Bull Records.
The key figures that characterise the Rock music profile in United States.
52.1% are female, 47.9% are male, average age 40.5.
| Metric | Value |
|---|---|
| Female | 52.1% |
| Male | 47.9% |
| Average age | 40.5 |
| Estimated audience size | 108,887,606 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 20% | |
| 20-29 | 17% | |
| 30-39 | 17% | |
| 40-49 | 21% | |
| 50+ | 25% |
of the worldwide Rock music audience comes from United States.
| Country | Share |
|---|---|
| United States | 22.8% |
| United Kingdom | 4.8% |
| Italy | 4.7% |
Where the Rock music audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | West Virginia | ~700K | 1.35× | |
| 02 | Kentucky | ~1.5M | 1.25× | |
| 03 | Indiana | ~2.5M | 1.20× | |
| 04 | Pennsylvania | ~4.5M | 1.19× | |
| 05 | Arkansas | ~1M | 1.15× | |
| 06 | Kansas | ~1M | 1.12× | |
| 07 | Nebraska | ~600K | 1.12× | |
| 08 | Missouri | ~2M | 1.10× | |
| 09 | Oklahoma | ~1.5M | 1.09× | |
| 10 | North Carolina | ~3.5M | 1.07× | |
| 11 | Alabama | ~1.5M | 1.07× | |
| 12 | New Mexico | ~600K | 1.07× | |
| 13 | Wisconsin | ~1.5M | 1.06× | |
| 14 | Texas | ~10M | 1.05× | |
| 15 | New Jersey | ~3M | 1.05× | |
| 16 | Utah | ~1M | 1.05× | |
| 17 | Ohio | ~3.5M | 1.01× | |
| 18 | Vermont | ~200K | 1.01× | |
| 19 | Tennessee | ~2M | 1.00× | |
| 20 | Montana | ~300K | 1.00× | |
| 21 | South Carolina | ~1.5M | 0.99× | |
| 22 | Mississippi | ~900K | 0.99× | |
| 23 | South Dakota | ~200K | 0.99× | |
| 24 | North Dakota | ~200K | 0.99× | |
| 25 | Iowa | ~900K | 0.98× | |
| 26 | New Hampshire | ~400K | 0.98× | |
| 27 | Maine | ~400K | 0.98× | |
| 28 | Rhode Island | ~300K | 0.98× | |
| 29 | Illinois | ~3.5M | 0.97× | |
| 30 | Michigan | ~3M | 0.97× | |
| 31 | Alaska | ~200K | 0.97× | |
| 32 | New York | ~6M | 0.96× | |
| 33 | Connecticut | ~1M | 0.96× | |
| 34 | Louisiana | ~1.5M | 0.95× | |
| 35 | Hawaii | ~400K | 0.95× | |
| 36 | Idaho | ~500K | 0.94× | |
| 37 | California | ~11M | 0.93× | |
| 38 | Minnesota | ~1.5M | 0.93× | |
| 39 | Delaware | ~300K | 0.93× | |
| 40 | Georgia | ~3M | 0.92× | |
| 41 | Nevada | ~1M | 0.92× | |
| 42 | Virginia | ~2.5M | 0.91× | |
| 43 | Maryland | ~1.5M | 0.91× | |
| 44 | Arizona | ~2M | 0.90× | |
| 45 | Oregon | ~1M | 0.90× | |
| 46 | Washington | ~2M | 0.89× | |
| 47 | Massachusetts | ~2M | 0.88× | |
| 48 | Washington, District of Columbia | ~300K | 0.88× | |
| 49 | Colorado | ~1.5M | 0.85× | |
| 50 | Florida | ~6M | 0.83× |
The strongest cross-interests of the Rock music audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Alpha Xi Delta | Business & Career | 1.80× | ||
| 02 | Wesleyan College | Business & Career | 1.80× | ||
| 03 | Gamma Phi Beta | Business & Career | 1.75× | ||
| 04 | Lehigh University | Business & Career | 1.67× | ||
| 05 | Red Bull Records | Music & Radio | 1.61× | ||
| 06 | Crossroads Trading Company | Brand | 1.59× | ||
| 07 | Pi Kappa Alpha | Business & Career | 1.59× | ||
| 08 | Lazy Oaf | Fashion & Accessoires | 1.59× | ||
| 09 | Unif | Fashion & Accessoires | 1.57× | ||
| 10 | Grand Turk Island | Travel & Leisure | 1.51× | ||
| 11 | Motel Rocks | Fashion & Accessoires | 1.51× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Social Media Usage | JOY | 0.80× | |
| Pet Ownership | JOY | 0.79× | |
| Family Orientation | CONSERVATISM | 0.77× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Travelling | THRILL | 0.63× | |
| Career Orientation | POWER | 0.63× | |
| Design Affinity | PREMIUM | 0.63× |
Rock music has an estimated audience of 108,887,606 people in United States, concentrated in California and Texas.
52.1% of Rock music fans are female, 47.9% are male, with an average age of 40.5 years.
Rock music fans show strongest brand affinity for Red Bull Records (1.61×), Crossroads Trading Company (1.59×), and Grand Turk Island (1.51×) over the country average.
Rock music fans in United States are most concentrated in California (reach ~11M), Texas (reach ~10M), and Florida (reach ~6M). These three regions account for the largest share of the active audience.
Beyond Rock music itself, the audience over-indexes on Crossroads Trading Company (1.59×), Grand Turk Island (1.51×), Motel Rocks (1.51×), and Unif (1.57×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Rock music. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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