A data profile of the people who buy, follow and care about The Woman in Black in United States — modelled from more than twelve digital signal sources. The Woman in Black has an estimated audience of 261,531 people in United States.
The average The Woman in Black fan in United States is 41.6 years old, more male, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Mobile game, Anime and manga fandom, Graphic novel, with strongest over-indexing on Mobile game (2.9× the country average).
Demographically, the The Woman in Black audience skews more male with an average age of 41.6, and over-indexes on personality traits such as Tradition, Risk Appetite.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical The Woman in Black fan in United States is more male, around 41.6 years old, with strong Tradition tendencies and a notable affinity for Mobile game.
The key figures that characterise the The Woman in Black profile in United States.
35.9% are female, 64.1% are male, average age 41.6.
| Metric | Value |
|---|---|
| Female | 35.9% |
| Male | 64.1% |
| Average age | 41.6 |
| Estimated audience size | 261,531 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 19% | |
| 20-29 | 10% | |
| 30-39 | 22% | |
| 40-49 | 22% | |
| 50+ | 26% |
of the worldwide The Woman in Black audience comes from United States.
| Country | Share |
|---|---|
| United Kingdom | 39.1% |
| United States | 34.0% |
| Italy | 5.7% |
Where the The Woman in Black audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Utah | ~4K | 1.77× | |
| 02 | Arizona | ~6K | 1.22× | |
| 03 | Idaho | ~2K | 1.21× | |
| 04 | Missouri | ~5K | 1.19× | |
| 05 | Montana | <1K | 1.15× | |
| 06 | Vermont | <1K | 1.15× | |
| 07 | New Mexico | ~1K | 1.14× | |
| 08 | Kentucky | ~4K | 1.12× | |
| 09 | Wisconsin | ~4K | 1.09× | |
| 10 | Alaska | <1K | 1.08× | |
| 11 | Oregon | ~3K | 1.07× | |
| 12 | Oklahoma | ~3K | 1.07× | |
| 13 | Indiana | ~5K | 1.06× | |
| 14 | Arkansas | ~2K | 1.05× | |
| 15 | West Virginia | ~1K | 1.05× | |
| 16 | Tennessee | ~5K | 1.04× | |
| 17 | Alabama | ~4K | 1.04× | |
| 18 | Maine | <1K | 1.04× | |
| 19 | Texas | ~20K | 1.03× | |
| 20 | Washington | ~5K | 1.03× | |
| 21 | Louisiana | ~3K | 1.03× | |
| 22 | New Hampshire | ~1K | 1.03× | |
| 23 | Ohio | ~8K | 1.01× | |
| 24 | Colorado | ~4K | 1.01× | |
| 25 | Kansas | ~2K | 1.01× | |
| 26 | Mississippi | ~2K | 1.00× | |
| 27 | Virginia | ~6K | 0.98× | |
| 28 | North Carolina | ~8K | 0.97× | |
| 29 | Nevada | ~2K | 0.96× | |
| 30 | California | ~30K | 0.95× | |
| 31 | Michigan | ~6K | 0.95× | |
| 32 | South Carolina | ~4K | 0.93× | |
| 33 | North Dakota | <1K | 0.93× | |
| 34 | Pennsylvania | ~8K | 0.92× | |
| 35 | Illinois | ~8K | 0.92× | |
| 36 | Iowa | ~2K | 0.92× | |
| 37 | South Dakota | <1K | 0.92× | |
| 38 | Minnesota | ~3K | 0.91× | |
| 39 | Rhode Island | <1K | 0.91× | |
| 40 | Massachusetts | ~5K | 0.89× | |
| 41 | Connecticut | ~2K | 0.89× | |
| 42 | Georgia | ~7K | 0.88× | |
| 43 | Nebraska | ~1K | 0.88× | |
| 44 | Maryland | ~4K | 0.86× | |
| 45 | Delaware | <1K | 0.85× | |
| 46 | New York | ~10K | 0.83× | |
| 47 | Washington, District of Columbia | <1K | 0.83× | |
| 48 | Florida | ~10K | 0.80× | |
| 49 | Hawaii | <1K | 0.78× | |
| 50 | New Jersey | ~5K | 0.73× |
The strongest cross-interests of the The Woman in Black audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Drain cleaner | Home & Garden | 20.15× | ||
| 02 | Funny Clips | Internet & Social Media | 14.61× | ||
| 03 | Fantasy Art | Arts & Culture | 13.96× | ||
| 04 | Geek girl | Internet & Social Media | 12.81× | ||
| 05 | One-Punch Man | Literature | 8.46× | ||
| 06 | Funny animal | Internet & Social Media | 7.70× | ||
| 07 | Concept art | Arts & Culture | 7.69× | ||
| 08 | Graphic novel | Literature | 5.65× | ||
| 09 | Superhero fiction | Literature | 4.75× | ||
| 10 | Affiliate marketing | Business & Career | 4.07× | ||
| 11 | Anime and manga fandom | Literature | 3.77× | ||
| 12 | Collectible card game | Games | 3.20× | ||
| 13 | Psychological thriller | Literature | 3.03× | ||
| 14 | Mobile game | Games | 2.90× | ||
| 15 | Folk music | Music & Radio | 2.86× | ||
| 16 | Action role-playing game | Games | 2.83× | ||
| 17 | Digital art | Arts & Culture | 2.74× | ||
| 18 | Action-adventure game | Games | 2.53× | ||
| 19 | Motivational speaking | Business & Career | 2.16× | ||
| 20 | Manga | Literature | 1.69× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Tradition | CONSERVATISM | 2.86× | |
| Risk Appetite | THRILL | 2.05× | |
| Urban Lifestyle | OPEN | 1.55× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Sports Activity | POWER | 0.23× | |
| Pet Ownership | JOY | 0.50× | |
| Career Orientation | POWER | 0.63× |
The Woman in Black has an estimated audience of 261,531 people in United States, concentrated in California and Texas.
35.9% of The Woman in Black fans are female, 64.1% are male, with an average age of 41.6 years.
The Woman in Black fans show strongest brand affinity for Mobile game (2.9×), Anime and manga fandom (3.77×), and Graphic novel (5.65×) over the country average.
The Woman in Black fans in United States are most concentrated in California (reach ~30K), Texas (reach ~20K), and Florida (reach ~10K). These three regions account for the largest share of the active audience.
Beyond The Woman in Black itself, the audience over-indexes on Anime and manga fandom (3.77×), Graphic novel (5.65×), Drain cleaner (20.15×), and Affiliate marketing (4.07×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The Woman in Black. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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