Rascasse Audience Intelligence

Screenwriting Audience in Germany

A data profile of the people who buy, follow and care about Screenwriting in Germany — modelled from more than twelve digital signal sources. Screenwriting has an estimated audience of 989,910 people in Germany.

#186among Field of study in Germany#3181among Topic in Germany#96in Literature

The average Screenwriting fan in Germany is 36.6 years old, balanced, and lives primarily in Nordrhein-Westfalen.

The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.

Top brand affinities include Sex and the City, Video editing, Robert Redford, with strongest over-indexing on Sex and the City (8.84× the country average).

Demographically, the Screenwriting audience skews balanced with an average age of 36.6, and over-indexes on personality traits such as Quality Awareness, Risk Appetite.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.

The typical Screenwriting fan in Germany is balanced, around 36.6 years old, with strong Quality Awareness tendencies and a notable affinity for Sex and the City.

Category: Literature · Type: Topic · Subtype: Field of study

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Screenwriting profile in Germany.

Audience size
990K
in Germany
Gender
52.0%♀
48.0% male
Age
36.6
average years
Country rank
#6591
Topic in Germany
Fig. 01

Search interest · 12-month trend

-24%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Screenwriting fans

52.0% are female, 48.0% are male, average age 36.6.

Fig. 02

Gender split

52.0%
Female
48.0%
Male
Demographic split for Screenwriting audience in Germany
MetricValue
Female52.0%
Male48.0%
Average age36.6
Estimated audience size989,910
Fig. 03

Age distribution

Ø 36.6
average years
Age distribution of the Screenwriting audience in Germany
Age bracketShare%
16-1925%
20-2921%
30-3921%
40-4920%
50+13%
Fig. 04

Worldwide distribution

2.7%

of the worldwide Screenwriting audience comes from Germany.

Worldwide audience distribution share by country for Screenwriting
CountryShare
United States26.7%
India15.2%
United Kingdom4.9%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the Germany average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Screenwriting audience in Germany is strongest.

Fig. 05

Top regions by affinity

Screenwriting fans by region: top regions in Germany
#RegionReachAffinity×
01Berlin~60K1.40×
02Bremen~10K1.19×
03Brandenburg~30K1.08×
04Hamburg~20K1.06×
05Saarland~10K1.04×
06Sachsen~50K1.00×
07Niedersachsen~90K0.98×
08Schleswig-Holstein~30K0.97×
09Rheinland-Pfalz~50K0.96×
10Thüringen~20K0.95×
11Nordrhein-Westfalen~200K0.94×
12Mecklenburg-Vorpommern~20K0.93×
13Sachsen-Anhalt~20K0.92×
14Bayern~100K0.91×
15Hessen~70K0.91×
16Baden-Württemberg~100K0.86×
Fig. 06

Affinity by region

Affinity by region — Screenwriting, Germany
0.86×1.00×1.40×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Screenwriting audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Screenwriting audience
#·InterestCategoryAffinity×
01Javier BardemMovies & TV12.73×
02Cobie SmuldersMovies & TV11.53×
03Video editingTechnology & Electronics11.11×
04NikonTechnology & Electronics9.16×
05Sex and the CityMovies & TV8.84×
06CanonTechnology & Electronics8.31×
07VideographyInternet & Social Media7.14×
08Dua LipaMusic & Radio6.91×
09Robert RedfordMovies & TV5.77×
10HelicopterCars & Mobility5.42×
11Cultural heritagePolitics & Society5.40×
12CanvaTechnology & Electronics5.00×
13MinecraftGames4.47×
14Crime fictionLiterature4.06×
15LivemusicMusic & Radio3.37×
16TagesschauMovies & TV1.97×
17SpotifyInternet & Social Media1.76×
18BundesligaSports1.62×
19FIFA World CupSports1.59×
20Harry PotterMovies & TV1.59×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Screenwriting audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Top personality traits over-indexed by Screenwriting audience · What stands out
TraitClusterDeviationScore
Quality AwarenessPREMIUM2.04×
Risk AppetiteTHRILL1.67×
Community OrientationOPEN1.57×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Top personality traits over-indexed by Screenwriting audience · Rather not
TraitClusterDeviationScore
Price SensitivityPREMIUM0.68×
Convenience OrientationPREMIUM0.69×
IndulgenceJOY0.84×
0×1.00× baseline2×
Section 06

Frequently asked questions

01

How many fans does Screenwriting have in Germany?

Screenwriting has an estimated audience of 989,910 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.

02

What is the gender split and age of Screenwriting fans?

52.0% of Screenwriting fans are female, 48.0% are male, with an average age of 36.6 years.

03

Which brands do Screenwriting fans like most?

Screenwriting fans show strongest brand affinity for Sex and the City (8.84×), Video editing (11.11×), and Robert Redford (5.77×) over the country average.

04

Where do Screenwriting fans live in Germany?

Screenwriting fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~200K), Bayern (reach ~100K), and Baden-Württemberg (reach ~100K). These three regions account for the largest share of the active audience.

05

What other brands do Screenwriting fans also like?

Beyond Screenwriting itself, the audience over-indexes on Video editing (11.11×), Robert Redford (5.77×), Javier Bardem (12.73×), and Videography (7.14×) compared to the Germany average.

Appendix

Explore more audiences

Related profiles, rankings and the same audience in other markets.

More Field of study audiences in Germany

See Screenwriting audiences in other countries

How to read this data

Audience size is the estimated number of people in Germany who actively search for Screenwriting. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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