A data profile of the people who buy, follow and care about Screenwriting in United States — modelled from more than twelve digital signal sources. Screenwriting has an estimated audience of 9,648,670 people in United States.
The average Screenwriting fan in United States is 40.0 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Superman, International education, Doctor Strange, with strongest over-indexing on Superman (4.51× the country average).
Demographically, the Screenwriting audience skews balanced with an average age of 40.0, and over-indexes on personality traits such as Community Orientation, Patriotism.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Screenwriting fan in United States is balanced, around 40.0 years old, with strong Community Orientation tendencies and a notable affinity for Superman.
The key figures that characterise the Screenwriting profile in United States.
46.3% are female, 53.7% are male, average age 40.0.
| Metric | Value |
|---|---|
| Female | 46.3% |
| Male | 53.7% |
| Average age | 40.0 |
| Estimated audience size | 9,648,670 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 20% | |
| 20-29 | 18% | |
| 30-39 | 18% | |
| 40-49 | 20% | |
| 50+ | 24% |
of the worldwide Screenwriting audience comes from United States.
| Country | Share |
|---|---|
| United States | 26.7% |
| India | 15.2% |
| United Kingdom | 4.9% |
Where the Screenwriting audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | California | ~1.5M | 1.61× | |
| 02 | Georgia | ~400K | 1.37× | |
| 03 | Kansas | ~100K | 1.35× | |
| 04 | New York | ~700K | 1.33× | |
| 05 | Massachusetts | ~200K | 1.18× | |
| 06 | New Jersey | ~300K | 1.16× | |
| 07 | Maryland | ~200K | 1.15× | |
| 08 | Hawaii | ~50K | 1.13× | |
| 09 | Oregon | ~100K | 1.12× | |
| 10 | Virginia | ~300K | 1.10× | |
| 11 | Washington | ~200K | 1.10× | |
| 12 | Washington, District of Columbia | ~30K | 1.10× | |
| 13 | Illinois | ~400K | 1.09× | |
| 14 | New Mexico | ~50K | 1.08× | |
| 15 | North Carolina | ~300K | 1.06× | |
| 16 | Texas | ~900K | 1.05× | |
| 17 | Louisiana | ~100K | 1.05× | |
| 18 | Nevada | ~100K | 1.04× | |
| 19 | Connecticut | ~100K | 1.03× | |
| 20 | Florida | ~700K | 1.02× | |
| 21 | Pennsylvania | ~300K | 1.02× | |
| 22 | Arizona | ~200K | 1.01× | |
| 23 | Michigan | ~300K | 0.99× | |
| 24 | Missouri | ~200K | 0.99× | |
| 25 | Mississippi | ~80K | 0.99× | |
| 26 | Rhode Island | ~30K | 0.99× | |
| 27 | Delaware | ~30K | 0.99× | |
| 28 | Minnesota | ~100K | 0.98× | |
| 29 | Oklahoma | ~100K | 0.98× | |
| 30 | Tennessee | ~200K | 0.97× | |
| 31 | Arkansas | ~80K | 0.97× | |
| 32 | Kentucky | ~100K | 0.96× | |
| 33 | Utah | ~80K | 0.96× | |
| 34 | Idaho | ~50K | 0.96× | |
| 35 | Maine | ~30K | 0.96× | |
| 36 | Vermont | ~20K | 0.96× | |
| 37 | Indiana | ~200K | 0.95× | |
| 38 | Alaska | ~20K | 0.95× | |
| 39 | Ohio | ~300K | 0.93× | |
| 40 | South Carolina | ~100K | 0.93× | |
| 41 | Alabama | ~100K | 0.93× | |
| 42 | New Hampshire | ~30K | 0.92× | |
| 43 | South Dakota | ~20K | 0.92× | |
| 44 | Montana | ~20K | 0.91× | |
| 45 | North Dakota | ~20K | 0.91× | |
| 46 | Iowa | ~70K | 0.90× | |
| 47 | Nebraska | ~40K | 0.89× | |
| 48 | West Virginia | ~40K | 0.88× | |
| 49 | Colorado | ~100K | 0.87× | |
| 50 | Wisconsin | ~100K | 0.83× |
The strongest cross-interests of the Screenwriting audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | OPPO | Technology & Electronics | 28.59× | ||
| 02 | Cultural tourism | Travel & Leisure | 22.89× | ||
| 03 | International education | Business & Career | 17.14× | ||
| 04 | Anthony Mackie | Movies & TV | 15.56× | ||
| 05 | Doctor Strange | Literature | 13.48× | ||
| 06 | Resident Advisor | Music & Radio | 13.48× | ||
| 07 | captain america | Movies & TV | 11.28× | ||
| 08 | Black Panther (comics) | Literature | 10.67× | ||
| 09 | Scarface (1983 film) | Movies & TV | 10.13× | ||
| 10 | Guardians of the Galaxy (film) | Movies & TV | 8.99× | ||
| 11 | Teyana Taylor | Movies & TV | 8.03× | ||
| 12 | Tyler Perry | Movies & TV | 6.91× | ||
| 13 | Graphic novel | Literature | 5.88× | ||
| 14 | Videography | Internet & Social Media | 5.74× | ||
| 15 | Film festival | Movies & TV | 5.19× | ||
| 16 | Rick and Morty | Movies & TV | 4.99× | ||
| 17 | Superman | Movies & TV | 4.51× | ||
| 18 | Vintage clothing | Fashion & Accessoires | 3.68× | ||
| 19 | Broadway theatre | Travel & Leisure | 3.53× | ||
| 20 | Do it yourself (DIY) | Home & Garden | 1.92× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Community Orientation | OPEN | 2.23× | |
| Patriotism | CONSERVATISM | 2.12× | |
| Risk Appetite | THRILL | 1.86× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Convenience Orientation | PREMIUM | 0.63× | |
| Quality Awareness | PREMIUM | 0.72× | |
| Indulgence | JOY | 0.75× |
Screenwriting has an estimated audience of 9,648,670 people in United States, concentrated in California and Texas.
46.3% of Screenwriting fans are female, 53.7% are male, with an average age of 40.0 years.
Screenwriting fans show strongest brand affinity for Superman (4.51×), International education (17.14×), and Doctor Strange (13.48×) over the country average.
Screenwriting fans in United States are most concentrated in California (reach ~1.5M), Texas (reach ~900K), and New York (reach ~700K). These three regions account for the largest share of the active audience.
Beyond Screenwriting itself, the audience over-indexes on International education (17.14×), Doctor Strange (13.48×), Scarface (1983 film) (10.13×), and Teyana Taylor (8.03×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Screenwriting. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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