A data profile of the people who buy, follow and care about The Notebook (2004 film) in United States — modelled from more than twelve digital signal sources. The Notebook (2004 film) has an estimated audience of 4,644,543 people in United States.
The average The Notebook (2004 film) fan in United States is 40.6 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Love Actually, 24 (TV series), Group buying, with strongest over-indexing on Love Actually (67.58× the country average).
Demographically, the The Notebook (2004 film) audience skews more female with an average age of 40.6, and over-indexes on personality traits such as Convenience Orientation, Price Sensitivity.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical The Notebook (2004 film) fan in United States is more female, around 40.6 years old, with strong Convenience Orientation tendencies and a notable affinity for Love Actually.
The key figures that characterise the The Notebook (2004 film) profile in United States.
79.6% are female, 20.4% are male, average age 40.6.
| Metric | Value |
|---|---|
| Female | 79.6% |
| Male | 20.4% |
| Average age | 40.6 |
| Estimated audience size | 4,644,543 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 21% | |
| 20-29 | 15% | |
| 30-39 | 17% | |
| 40-49 | 21% | |
| 50+ | 26% |
of the worldwide The Notebook (2004 film) audience comes from United States.
| Country | Share |
|---|---|
| United States | 41.3% |
| United Kingdom | 6.3% |
| India | 5.5% |
Where the The Notebook (2004 film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Arizona | ~100K | 1.24× | |
| 02 | California | ~600K | 1.20× | |
| 03 | South Carolina | ~90K | 1.20× | |
| 04 | Texas | ~500K | 1.19× | |
| 05 | Alabama | ~80K | 1.17× | |
| 06 | Oklahoma | ~60K | 1.17× | |
| 07 | Kentucky | ~70K | 1.14× | |
| 08 | Utah | ~50K | 1.13× | |
| 09 | Arkansas | ~40K | 1.12× | |
| 10 | Mississippi | ~40K | 1.08× | |
| 11 | North Carolina | ~200K | 1.07× | |
| 12 | Tennessee | ~100K | 1.07× | |
| 13 | Indiana | ~90K | 1.07× | |
| 14 | Kansas | ~40K | 1.07× | |
| 15 | New Mexico | ~30K | 1.07× | |
| 16 | Georgia | ~200K | 1.06× | |
| 17 | Louisiana | ~70K | 1.06× | |
| 18 | Idaho | ~30K | 1.06× | |
| 19 | Missouri | ~80K | 1.05× | |
| 20 | Iowa | ~40K | 1.05× | |
| 21 | West Virginia | ~20K | 1.05× | |
| 22 | Connecticut | ~50K | 1.04× | |
| 23 | Nebraska | ~20K | 1.02× | |
| 24 | Illinois | ~200K | 1.01× | |
| 25 | Nevada | ~50K | 1.01× | |
| 26 | Florida | ~300K | 0.99× | |
| 27 | Ohio | ~100K | 0.99× | |
| 28 | New Jersey | ~100K | 0.99× | |
| 29 | New York | ~300K | 0.98× | |
| 30 | Michigan | ~100K | 0.97× | |
| 31 | Pennsylvania | ~200K | 0.96× | |
| 32 | Washington | ~90K | 0.96× | |
| 33 | Oregon | ~50K | 0.96× | |
| 34 | Alaska | ~10K | 0.95× | |
| 35 | North Dakota | ~9K | 0.94× | |
| 36 | Colorado | ~70K | 0.93× | |
| 37 | Rhode Island | ~10K | 0.93× | |
| 38 | Virginia | ~100K | 0.92× | |
| 39 | Massachusetts | ~90K | 0.92× | |
| 40 | Wisconsin | ~70K | 0.92× | |
| 41 | Minnesota | ~60K | 0.92× | |
| 42 | Maryland | ~70K | 0.91× | |
| 43 | Montana | ~10K | 0.90× | |
| 44 | Hawaii | ~20K | 0.87× | |
| 45 | New Hampshire | ~20K | 0.87× | |
| 46 | Delaware | ~10K | 0.87× | |
| 47 | South Dakota | ~10K | 0.87× | |
| 48 | Maine | ~10K | 0.84× | |
| 49 | Vermont | ~7K | 0.78× | |
| 50 | Washington, District of Columbia | ~10K | 0.67× |
The strongest cross-interests of the The Notebook (2004 film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Midnight in Paris | Movies & TV | 71.40× | ||
| 02 | Love Actually | Movies & TV | 67.58× | ||
| 03 | 24 (TV series) | Movies & TV | 65.97× | ||
| 04 | Moonrise Kingdom | Movies & TV | 49.74× | ||
| 05 | Noah Baumbach | Movies & TV | 48.02× | ||
| 06 | House of Cards (U.S. TV series) | Movies & TV | 40.87× | ||
| 07 | Group buying | Shopping | 37.39× | ||
| 08 | Westworld (TV series) | Movies & TV | 36.25× | ||
| 09 | Fantastic Beasts and Where to Find Them | Pets & Animals | 35.24× | ||
| 10 | Desperate Housewives | Movies & TV | 34.74× | ||
| 11 | Hannibal (TV series) | Movies & TV | 33.23× | ||
| 12 | Good Will Hunting | Movies & TV | 29.38× | ||
| 13 | Legally Blonde | Movies & TV | 27.30× | ||
| 14 | Taron Egerton | Movies & TV | 26.99× | ||
| 15 | Titanic (1997 film) | Movies & TV | 22.25× | ||
| 16 | Gossip Girl | Movies & TV | 21.88× | ||
| 17 | Eyes Wide Shut | Movies & TV | 20.66× | ||
| 18 | La La Land (film) | Movies & TV | 19.08× | ||
| 19 | The Holiday | Movies & TV | 14.90× | ||
| 20 | Sex and the City | Movies & TV | 11.70× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Convenience Orientation | PREMIUM | 2.02× | |
| Price Sensitivity | PREMIUM | 1.59× | |
| Community Orientation | OPEN | 1.40× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 0.71× | |
| Risk Appetite | THRILL | 0.75× | |
| Need for Security | CONSERVATISM | 0.78× |
The Notebook (2004 film) has an estimated audience of 4,644,543 people in United States, concentrated in California and Texas.
79.6% of The Notebook (2004 film) fans are female, 20.4% are male, with an average age of 40.6 years.
The Notebook (2004 film) fans show strongest brand affinity for Love Actually (67.58×), 24 (TV series) (65.97×), and Group buying (37.39×) over the country average.
The Notebook (2004 film) fans in United States are most concentrated in California (reach ~600K), Texas (reach ~500K), and Florida (reach ~300K). These three regions account for the largest share of the active audience.
Beyond The Notebook (2004 film) itself, the audience over-indexes on 24 (TV series) (65.97×), Group buying (37.39×), Desperate Housewives (34.74×), and Midnight in Paris (71.4×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The Notebook (2004 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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