A data profile of the people who buy, follow and care about Video editing in United States — modelled from more than twelve digital signal sources. Video editing has an estimated audience of 9,597,041 people in United States.
The average Video editing fan in United States is 38.5 years old, more male, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Film editing, Video editing software, Twitch, with strongest over-indexing on Film editing (6.26× the country average).
Demographically, the Video editing audience skews more male with an average age of 38.5, and over-indexes on personality traits such as Quality Awareness, Early Adopter Mentality.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Video editing fan in United States is more male, around 38.5 years old, with strong Quality Awareness tendencies and a notable affinity for Film editing.
The key figures that characterise the Video editing profile in United States.
37.0% are female, 63.0% are male, average age 38.5.
| Metric | Value |
|---|---|
| Female | 37.0% |
| Male | 63.0% |
| Average age | 38.5 |
| Estimated audience size | 9,597,041 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 22% | |
| 20-29 | 21% | |
| 30-39 | 18% | |
| 40-49 | 18% | |
| 50+ | 21% |
Where the Video editing audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Colorado | ~300K | 1.76× | |
| 02 | Wyoming | ~20K | 1.61× | |
| 03 | Kansas | ~100K | 1.56× | |
| 04 | Ohio | ~400K | 1.49× | |
| 05 | New York | ~700K | 1.32× | |
| 06 | Utah | ~100K | 1.28× | |
| 07 | California | ~1.5M | 1.21× | |
| 08 | Washington | ~200K | 1.18× | |
| 09 | Idaho | ~50K | 1.09× | |
| 10 | Georgia | ~300K | 1.07× | |
| 11 | Virginia | ~200K | 1.07× | |
| 12 | Oregon | ~100K | 1.07× | |
| 13 | Hawaii | ~40K | 1.06× | |
| 14 | Texas | ~900K | 1.04× | |
| 15 | New Jersey | ~200K | 1.01× | |
| 16 | Maryland | ~200K | 1.01× | |
| 17 | Missouri | ~200K | 1.01× | |
| 18 | Washington, District of Columbia | ~30K | 1.00× | |
| 19 | Alaska | ~20K | 1.00× | |
| 20 | Illinois | ~300K | 0.99× | |
| 21 | Nevada | ~90K | 0.97× | |
| 22 | Massachusetts | ~200K | 0.96× | |
| 23 | Oklahoma | ~100K | 0.96× | |
| 24 | North Dakota | ~20K | 0.96× | |
| 25 | North Carolina | ~300K | 0.95× | |
| 26 | Arizona | ~200K | 0.95× | |
| 27 | New Hampshire | ~40K | 0.95× | |
| 28 | Montana | ~30K | 0.95× | |
| 29 | Arkansas | ~70K | 0.94× | |
| 30 | Pennsylvania | ~300K | 0.93× | |
| 31 | Indiana | ~200K | 0.93× | |
| 32 | Connecticut | ~90K | 0.93× | |
| 33 | Nebraska | ~40K | 0.93× | |
| 34 | Rhode Island | ~30K | 0.93× | |
| 35 | Florida | ~600K | 0.92× | |
| 36 | Tennessee | ~200K | 0.92× | |
| 37 | Wisconsin | ~100K | 0.92× | |
| 38 | Minnesota | ~100K | 0.92× | |
| 39 | Kentucky | ~100K | 0.92× | |
| 40 | South Dakota | ~20K | 0.92× | |
| 41 | Iowa | ~70K | 0.90× | |
| 42 | Michigan | ~200K | 0.89× | |
| 43 | Mississippi | ~70K | 0.89× | |
| 44 | New Mexico | ~40K | 0.89× | |
| 45 | Maine | ~30K | 0.89× | |
| 46 | South Carolina | ~100K | 0.88× | |
| 47 | Alabama | ~100K | 0.88× | |
| 48 | Louisiana | ~100K | 0.88× | |
| 49 | Delaware | ~20K | 0.88× | |
| 50 | West Virginia | ~40K | 0.86× |
The strongest cross-interests of the Video editing audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Film editing | Movies & TV | 6.26× | ||
| 02 | Video editing software | Technology & Electronics | 5.05× | ||
| 03 | Digital single-lens reflex camera | Technology & Electronics | 3.62× | ||
| 04 | Camera lens | Technology & Electronics | 3.34× | ||
| 05 | Street photography | Technology & Electronics | 2.98× | ||
| 06 | Red Digital Cinema Camera Company | Technology & Electronics | 2.93× | ||
| 07 | Digital camera | Technology & Electronics | 2.90× | ||
| 08 | Fine-art photography | Technology & Electronics | 2.57× | ||
| 09 | Outdoor Photographer | Arts & Culture | 2.38× | ||
| 10 | Videography | Internet & Social Media | 2.34× | ||
| 11 | Landscape photography | Technology & Electronics | 2.21× | ||
| 12 | Video production | Movies & TV | 2.20× | ||
| 13 | Twitch | Games | 2.19× | ||
| 14 | Travel photography | Technology & Electronics | 2.13× | ||
| 15 | Wildlife photography | Technology & Electronics | 2.11× | ||
| 16 | Nature photography | Technology & Electronics | 1.91× | ||
| 17 | Cameras | Technology & Electronics | 1.88× | ||
| 18 | Digital photography | Business & Career | 1.72× | ||
| 19 | Real Madrid C.F. | Sports | 1.59× | ||
| 20 | Artist | Music & Radio | 1.53× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Quality Awareness | PREMIUM | 1.33× | |
| Early Adopter Mentality | POWER | 1.21× | |
| Luxury Orientation | PREMIUM | 1.19× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Creativity | OPEN | 0.82× | |
| Price Sensitivity | PREMIUM | 0.84× | |
| Convenience Orientation | PREMIUM | 0.88× |
Video editing has an estimated audience of 9,597,041 people in United States, concentrated in California and Texas.
37.0% of Video editing fans are female, 63.0% are male, with an average age of 38.5 years.
Video editing fans show strongest brand affinity for Film editing (6.26×), Video editing software (5.05×), and Twitch (2.19×) over the country average.
Video editing fans in United States are most concentrated in California (reach ~1.5M), Texas (reach ~900K), and New York (reach ~700K). These three regions account for the largest share of the active audience.
Beyond Video editing itself, the audience over-indexes on Video editing software (5.05×), Twitch (2.19×), Cameras (1.88×), and Street photography (2.98×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Video editing. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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