A data profile of the people who buy, follow and care about Resident Evil Outbreak in United States — modelled from more than twelve digital signal sources. Resident Evil Outbreak has an estimated audience of 498,601 people in United States.
The average Resident Evil Outbreak fan in United States is 33.5 years old, more male, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include 28 Days Later, Resident Evil 4, Chandler Riggs, with strongest over-indexing on 28 Days Later (131.62× the country average).
Demographically, the Resident Evil Outbreak audience skews more male with an average age of 33.5, and over-indexes on personality traits such as Patriotism, Early Adopter Mentality.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Resident Evil Outbreak fan in United States is more male, around 33.5 years old, with strong Patriotism tendencies and a notable affinity for 28 Days Later.
The key figures that characterise the Resident Evil Outbreak profile in United States.
23.4% are female, 76.6% are male, average age 33.5.
| Metric | Value |
|---|---|
| Female | 23.4% |
| Male | 76.6% |
| Average age | 33.5 |
| Estimated audience size | 498,601 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 30% | |
| 20-29 | 27% | |
| 30-39 | 19% | |
| 40-49 | 14% | |
| 50+ | 10% |
Where the Resident Evil Outbreak audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | West Virginia | ~3K | 1.41× | |
| 02 | Kentucky | ~8K | 1.33× | |
| 03 | Oklahoma | ~7K | 1.22× | |
| 04 | Nevada | ~6K | 1.19× | |
| 05 | Washington | ~10K | 1.17× | |
| 06 | Indiana | ~10K | 1.17× | |
| 07 | Arizona | ~10K | 1.16× | |
| 08 | Oregon | ~7K | 1.16× | |
| 09 | Ohio | ~20K | 1.12× | |
| 10 | California | ~60K | 1.10× | |
| 11 | Texas | ~50K | 1.08× | |
| 12 | Michigan | ~10K | 1.08× | |
| 13 | Arkansas | ~4K | 1.08× | |
| 14 | Kansas | ~4K | 1.07× | |
| 15 | Pennsylvania | ~20K | 1.06× | |
| 16 | Missouri | ~9K | 1.06× | |
| 17 | Alaska | ~1K | 1.06× | |
| 18 | Tennessee | ~10K | 1.05× | |
| 19 | New Mexico | ~3K | 1.05× | |
| 20 | Illinois | ~20K | 1.04× | |
| 21 | New Hampshire | ~2K | 1.01× | |
| 22 | Idaho | ~3K | 1.00× | |
| 23 | Utah | ~4K | 0.99× | |
| 24 | Rhode Island | ~2K | 0.99× | |
| 25 | North Dakota | ~1K | 0.99× | |
| 26 | Maine | ~2K | 0.98× | |
| 27 | Colorado | ~8K | 0.96× | |
| 28 | Iowa | ~4K | 0.96× | |
| 29 | Virginia | ~10K | 0.95× | |
| 30 | Montana | ~1K | 0.95× | |
| 31 | North Carolina | ~10K | 0.94× | |
| 32 | Louisiana | ~6K | 0.94× | |
| 33 | Mississippi | ~4K | 0.94× | |
| 34 | South Dakota | ~1K | 0.94× | |
| 35 | Vermont | <1K | 0.94× | |
| 36 | South Carolina | ~7K | 0.93× | |
| 37 | Alabama | ~7K | 0.93× | |
| 38 | New Jersey | ~10K | 0.92× | |
| 39 | Connecticut | ~5K | 0.92× | |
| 40 | Nebraska | ~2K | 0.92× | |
| 41 | Delaware | ~1K | 0.92× | |
| 42 | Wisconsin | ~7K | 0.91× | |
| 43 | New York | ~30K | 0.89× | |
| 44 | Hawaii | ~2K | 0.89× | |
| 45 | Florida | ~30K | 0.88× | |
| 46 | Massachusetts | ~9K | 0.88× | |
| 47 | Minnesota | ~6K | 0.88× | |
| 48 | Maryland | ~7K | 0.86× | |
| 49 | Georgia | ~10K | 0.84× | |
| 50 | Washington, District of Columbia | ~1K | 0.73× |
The strongest cross-interests of the Resident Evil Outbreak audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | 28 Days Later | Movies & TV | 131.62× | ||
| 02 | Chandler Riggs | Movies & TV | 89.39× | ||
| 03 | Resident Evil 4 | Games | 56.88× | ||
| 04 | Andrew Lincoln | Movies & TV | 46.26× | ||
| 05 | Jeffrey Dean Morgan | Movies & TV | 34.57× | ||
| 06 | Fear the Walking Dead | Movies & TV | 28.92× | ||
| 07 | Metal Gear Solid | Games | 26.00× | ||
| 08 | Call of Duty: Modern Warfare 2 | Games | 24.19× | ||
| 09 | Dying Light | Games | 22.79× | ||
| 10 | Waterworld | Movies & TV | 18.16× | ||
| 11 | Zombieland | Movies & TV | 14.78× | ||
| 12 | GameStop | Games | 8.69× | ||
| 13 | Magic: The Gathering | Games | 8.46× | ||
| 14 | The Legend of Zelda | Games | 8.00× | ||
| 15 | Collectible card game | Games | 7.70× | ||
| 16 | DC Comics | Literature | 6.06× | ||
| 17 | Beetlejuice | Movies & TV | 5.36× | ||
| 18 | Anime and manga fandom | Literature | 5.08× | ||
| 19 | Mobile game | Games | 3.56× | ||
| 20 | Superman | Movies & TV | 2.73× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 1.89× | |
| Early Adopter Mentality | POWER | 1.61× | |
| Family Orientation | CONSERVATISM | 1.50× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| DIY Mentality | THRILL | 0.50× | |
| Design Affinity | PREMIUM | 0.54× | |
| Sustainability | BALANCE | 0.56× |
Resident Evil Outbreak has an estimated audience of 498,601 people in United States, concentrated in California and Texas.
23.4% of Resident Evil Outbreak fans are female, 76.6% are male, with an average age of 33.5 years.
Resident Evil Outbreak fans show strongest brand affinity for 28 Days Later (131.62×), Resident Evil 4 (56.88×), and Chandler Riggs (89.39×) over the country average.
Resident Evil Outbreak fans in United States are most concentrated in California (reach ~60K), Texas (reach ~50K), and Florida (reach ~30K). These three regions account for the largest share of the active audience.
Beyond Resident Evil Outbreak itself, the audience over-indexes on Resident Evil 4 (56.88×), Chandler Riggs (89.39×), Jeffrey Dean Morgan (34.57×), and Andrew Lincoln (46.26×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Resident Evil Outbreak. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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