A data profile of the people who buy, follow and care about Venice Biennale in United States — modelled from more than twelve digital signal sources. Venice Biennale has an estimated audience of 755,365 people in United States.
The average Venice Biennale fan in United States is 35.7 years old, balanced, and lives primarily in New York.
The audience is concentrated in New York, California, Texas.
Top brand affinities include The Master (2012 film), Tate, Tate Modern, with strongest over-indexing on The Master (2012 film) (41.43× the country average).
Demographically, the Venice Biennale audience skews balanced with an average age of 35.7, and over-indexes on personality traits such as Quality Awareness, Design Affinity.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Venice Biennale fan in United States is balanced, around 35.7 years old, with strong Quality Awareness tendencies and a notable affinity for The Master (2012 film).
The key figures that characterise the Venice Biennale profile in United States.
52.9% are female, 47.1% are male, average age 35.7.
| Metric | Value |
|---|---|
| Female | 52.9% |
| Male | 47.1% |
| Average age | 35.7 |
| Estimated audience size | 755,365 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 28% | |
| 20-29 | 24% | |
| 30-39 | 18% | |
| 40-49 | 16% | |
| 50+ | 15% |
of the worldwide Venice Biennale audience comes from United States.
| Country | Share |
|---|---|
| United States | 27.4% |
| United Kingdom | 13.2% |
| France | 12.2% |
Where the Venice Biennale audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | New York | ~200K | 3.75× | |
| 02 | Washington, District of Columbia | ~8K | 3.56× | |
| 03 | Massachusetts | ~30K | 1.95× | |
| 04 | California | ~100K | 1.59× | |
| 05 | Rhode Island | ~4K | 1.57× | |
| 06 | Connecticut | ~10K | 1.52× | |
| 07 | Oregon | ~10K | 1.30× | |
| 08 | Vermont | ~2K | 1.30× | |
| 09 | Maine | ~3K | 1.16× | |
| 10 | Washington | ~20K | 1.13× | |
| 11 | New Mexico | ~4K | 1.12× | |
| 12 | Illinois | ~30K | 1.11× | |
| 13 | New Jersey | ~20K | 1.11× | |
| 14 | Virginia | ~20K | 1.06× | |
| 15 | Alaska | ~2K | 1.00× | |
| 16 | Hawaii | ~3K | 0.99× | |
| 17 | Montana | ~2K | 0.99× | |
| 18 | Maryland | ~10K | 0.98× | |
| 19 | Colorado | ~10K | 0.98× | |
| 20 | North Dakota | ~1K | 0.96× | |
| 21 | Pennsylvania | ~20K | 0.94× | |
| 22 | New Hampshire | ~3K | 0.94× | |
| 23 | South Dakota | ~2K | 0.94× | |
| 24 | Louisiana | ~9K | 0.93× | |
| 25 | Delaware | ~2K | 0.91× | |
| 26 | West Virginia | ~3K | 0.89× | |
| 27 | Utah | ~6K | 0.87× | |
| 28 | Arkansas | ~5K | 0.87× | |
| 29 | Idaho | ~3K | 0.87× | |
| 30 | Nebraska | ~3K | 0.86× | |
| 31 | Mississippi | ~5K | 0.85× | |
| 32 | Iowa | ~5K | 0.82× | |
| 33 | Kansas | ~5K | 0.82× | |
| 34 | Georgia | ~20K | 0.81× | |
| 35 | Minnesota | ~9K | 0.81× | |
| 36 | Kentucky | ~8K | 0.80× | |
| 37 | Wisconsin | ~9K | 0.79× | |
| 38 | Oklahoma | ~7K | 0.78× | |
| 39 | Nevada | ~6K | 0.78× | |
| 40 | North Carolina | ~20K | 0.77× | |
| 41 | Missouri | ~9K | 0.77× | |
| 42 | Tennessee | ~10K | 0.75× | |
| 43 | South Carolina | ~9K | 0.75× | |
| 44 | Alabama | ~8K | 0.75× | |
| 45 | Florida | ~40K | 0.74× | |
| 46 | Michigan | ~10K | 0.72× | |
| 47 | Arizona | ~10K | 0.71× | |
| 48 | Indiana | ~10K | 0.71× | |
| 49 | Ohio | ~20K | 0.70× | |
| 50 | Texas | ~40K | 0.65× |
The strongest cross-interests of the Venice Biennale audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Royal Academy of Arts | Arts & Culture | 61.95× | ||
| 02 | Terry's Chocolate Orange | Food & Beverages | 61.63× | ||
| 03 | Tate Britain | Arts & Culture | 59.82× | ||
| 04 | Tate | Arts & Culture | 55.85× | ||
| 05 | National Gallery | Arts & Culture | 55.10× | ||
| 06 | The Master (2012 film) | Movies & TV | 41.43× | ||
| 07 | Victoria and Albert Museum | Arts & Culture | 40.86× | ||
| 08 | Frieze Art Fair | Arts & Culture | 38.94× | ||
| 09 | Walter Payton | Sports | 37.47× | ||
| 10 | Pinky and the Brain | Movies & TV | 37.17× | ||
| 11 | Tate Modern | Arts & Culture | 35.24× | ||
| 12 | Gagosian Gallery | Arts & Culture | 33.72× | ||
| 13 | Artforum | Arts & Culture | 24.08× | ||
| 14 | ARTnews | Arts & Culture | 23.55× | ||
| 15 | Art Basel | Arts & Culture | 17.52× | ||
| 16 | See's Candies | Shopping | 17.34× | ||
| 17 | Takis | Food & Beverages | 15.68× | ||
| 18 | Saatchi Gallery | Arts & Culture | 15.10× | ||
| 19 | Paul Thomas Anderson | Movies & TV | 13.69× | ||
| 20 | Mitch McConnell | Politics & Society | 2.73× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Quality Awareness | PREMIUM | 1.58× | |
| Design Affinity | PREMIUM | 1.47× | |
| Spirituality | BALANCE | 1.26× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| DIY Mentality | THRILL | 0.85× | |
| Need for Security | CONSERVATISM | 0.85× | |
| Family Orientation | CONSERVATISM | 0.89× |
Venice Biennale has an estimated audience of 755,365 people in United States, concentrated in New York and California.
52.9% of Venice Biennale fans are female, 47.1% are male, with an average age of 35.7 years.
Venice Biennale fans show strongest brand affinity for The Master (2012 film) (41.43×), Tate (55.85×), and Tate Modern (35.24×) over the country average.
Venice Biennale fans in United States are most concentrated in New York (reach ~200K), California (reach ~100K), and Texas (reach ~40K). These three regions account for the largest share of the active audience.
Beyond Venice Biennale itself, the audience over-indexes on Tate (55.85×), Tate Modern (35.24×), Gagosian Gallery (33.72×), and Royal Academy of Arts (61.95×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Venice Biennale. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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