A data profile of the people who buy, follow and care about British rhythm and blues in United States — modelled from more than twelve digital signal sources. British rhythm and blues has an estimated audience of 7,810,573 people in United States.
The average British rhythm and blues fan in United States is 40.5 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Keith Richards, Robert Plant, Michael Jackson, with strongest over-indexing on Keith Richards (10.04× the country average).
Demographically, the British rhythm and blues audience skews balanced with an average age of 40.5, and over-indexes on personality traits such as Patriotism, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 39 regions tracked by Rascasse.
The typical British rhythm and blues fan in United States is balanced, around 40.5 years old, with strong Patriotism tendencies and a notable affinity for Keith Richards.
The key figures that characterise the British rhythm and blues profile in United States.
46.6% are female, 53.4% are male, average age 40.5.
| Metric | Value |
|---|---|
| Female | 46.6% |
| Male | 53.4% |
| Average age | 40.5 |
| Estimated audience size | 7,810,573 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 19% | |
| 20-29 | 17% | |
| 30-39 | 18% | |
| 40-49 | 21% | |
| 50+ | 24% |
Where the British rhythm and blues audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Rhode Island | ~30K | 1.28× | |
| 02 | Maine | ~30K | 1.23× | |
| 03 | Idaho | ~50K | 1.17× | |
| 04 | Washington, District of Columbia | ~30K | 1.15× | |
| 05 | New Mexico | ~40K | 1.14× | |
| 06 | Arkansas | ~70K | 1.09× | |
| 07 | Kansas | ~70K | 1.07× | |
| 08 | Iowa | ~70K | 1.05× | |
| 09 | Oklahoma | ~90K | 1.03× | |
| 10 | Louisiana | ~100K | 1.02× | |
| 11 | Utah | ~70K | 1.02× | |
| 12 | Kentucky | ~100K | 1.01× | |
| 13 | Connecticut | ~80K | 1.01× | |
| 14 | Nevada | ~80K | 1.01× | |
| 15 | Alabama | ~100K | 1.00× | |
| 16 | Oregon | ~90K | 0.99× | |
| 17 | South Carolina | ~100K | 0.98× | |
| 18 | Wisconsin | ~100K | 0.98× | |
| 19 | Indiana | ~100K | 0.97× | |
| 20 | Missouri | ~100K | 0.97× | |
| 21 | Minnesota | ~100K | 0.97× | |
| 22 | Tennessee | ~200K | 0.96× | |
| 23 | Maryland | ~100K | 0.96× | |
| 24 | Colorado | ~100K | 0.96× | |
| 25 | Arizona | ~200K | 0.95× | |
| 26 | Washington | ~100K | 0.95× | |
| 27 | Massachusetts | ~100K | 0.95× | |
| 28 | Michigan | ~200K | 0.94× | |
| 29 | New Jersey | ~200K | 0.94× | |
| 30 | Virginia | ~200K | 0.94× | |
| 31 | Pennsylvania | ~200K | 0.93× | |
| 32 | Illinois | ~200K | 0.93× | |
| 33 | Ohio | ~200K | 0.93× | |
| 34 | Georgia | ~200K | 0.93× | |
| 35 | North Carolina | ~200K | 0.93× | |
| 36 | Florida | ~500K | 0.91× | |
| 37 | Texas | ~600K | 0.90× | |
| 38 | New York | ~400K | 0.90× | |
| 39 | California | ~700K | 0.83× |
The strongest cross-interests of the British rhythm and blues audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Keith Richards | Music & Radio | 10.04× | ||
| 02 | Robert Plant | Music & Radio | 9.12× | ||
| 03 | Romeo and Juliet | Arts & Culture | 7.48× | ||
| 04 | Bossa nova | Music & Radio | 5.94× | ||
| 05 | Jane Fonda | Movies & TV | 5.00× | ||
| 06 | Woodstock | Music & Radio | 4.75× | ||
| 07 | The Beach Boys | Music & Radio | 3.98× | ||
| 08 | Monarchy | Politics & Society | 3.86× | ||
| 09 | Rockabilly | Fashion & Accessoires | 3.13× | ||
| 10 | Chicano rap | Music & Radio | 2.57× | ||
| 11 | British hip hop | Music & Radio | 2.46× | ||
| 12 | Internet celebrity | Internet & Social Media | 2.42× | ||
| 13 | Michael Jackson | Music & Radio | 2.29× | ||
| 14 | Real property | Home & Garden | 2.19× | ||
| 15 | Bass guitar | Music & Radio | 2.04× | ||
| 16 | Hollywood | Travel & Leisure | 1.72× | ||
| 17 | Radio | Technology & Electronics | 1.72× | ||
| 18 | Las Vegas | Travel & Leisure | 1.63× | ||
| 19 | TMZ | Internet & Social Media | 1.61× | ||
| 20 | Instant messaging | Internet & Social Media | 1.58× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 1.49× | |
| Tradition | CONSERVATISM | 1.37× | |
| Urban Lifestyle | OPEN | 1.35× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.76× | |
| Sustainability | BALANCE | 0.77× | |
| Healthy Lifestyle | BALANCE | 0.77× |
British rhythm and blues has an estimated audience of 7,810,573 people in United States, concentrated in California and Texas.
46.6% of British rhythm and blues fans are female, 53.4% are male, with an average age of 40.5 years.
British rhythm and blues fans show strongest brand affinity for Keith Richards (10.04×), Robert Plant (9.12×), and Michael Jackson (2.29×) over the country average.
British rhythm and blues fans in United States are most concentrated in California (reach ~700K), Texas (reach ~600K), and Florida (reach ~500K). These three regions account for the largest share of the active audience.
Beyond British rhythm and blues itself, the audience over-indexes on Robert Plant (9.12×), Michael Jackson (2.29×), Real property (2.19×), and Bass guitar (2.04×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for British rhythm and blues. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
From global mass-market brands to niche local segments — explore the full library and see which intelligence layers are included.