A data profile of the people who buy, follow and care about Osamu Dazai in United States — modelled from more than twelve digital signal sources. Osamu Dazai has an estimated audience of 261,616 people in United States.
The average Osamu Dazai fan in United States is 30.8 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Haruki Murakami, Existentialism, Avan Jogia, with strongest over-indexing on Haruki Murakami (144.7× the country average).
Demographically, the Osamu Dazai audience skews more female with an average age of 30.8, and over-indexes on personality traits such as Patriotism, Individualism.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Osamu Dazai fan in United States is more female, around 30.8 years old, with strong Patriotism tendencies and a notable affinity for Haruki Murakami.
The key figures that characterise the Osamu Dazai profile in United States.
63.6% are female, 36.4% are male, average age 30.8.
| Metric | Value |
|---|---|
| Female | 63.6% |
| Male | 36.4% |
| Average age | 30.8 |
| Estimated audience size | 261,616 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 43% | |
| 20-29 | 24% | |
| 30-39 | 14% | |
| 40-49 | 10% | |
| 50+ | 9% |
Where the Osamu Dazai audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | California | ~40K | 1.40× | |
| 02 | Washington | ~7K | 1.38× | |
| 03 | Oregon | ~4K | 1.33× | |
| 04 | Hawaii | ~1K | 1.31× | |
| 05 | Texas | ~30K | 1.26× | |
| 06 | Nevada | ~3K | 1.18× | |
| 07 | Virginia | ~7K | 1.17× | |
| 08 | New York | ~20K | 1.13× | |
| 09 | Arizona | ~6K | 1.13× | |
| 10 | Maryland | ~5K | 1.11× | |
| 11 | Oklahoma | ~3K | 1.11× | |
| 12 | Alaska | <1K | 1.07× | |
| 13 | Kentucky | ~3K | 1.06× | |
| 14 | Arkansas | ~2K | 1.06× | |
| 15 | Georgia | ~8K | 1.05× | |
| 16 | Massachusetts | ~5K | 1.05× | |
| 17 | Utah | ~2K | 1.02× | |
| 18 | New Jersey | ~7K | 1.01× | |
| 19 | Indiana | ~5K | 1.01× | |
| 20 | Minnesota | ~4K | 1.01× | |
| 21 | New Mexico | ~1K | 1.01× | |
| 22 | North Carolina | ~8K | 1.00× | |
| 23 | Idaho | ~1K | 1.00× | |
| 24 | West Virginia | ~1K | 1.00× | |
| 25 | Florida | ~20K | 0.99× | |
| 26 | Tennessee | ~5K | 0.99× | |
| 27 | Connecticut | ~3K | 0.99× | |
| 28 | Illinois | ~8K | 0.98× | |
| 29 | Kansas | ~2K | 0.98× | |
| 30 | Rhode Island | <1K | 0.98× | |
| 31 | Maine | <1K | 0.97× | |
| 32 | Pennsylvania | ~8K | 0.95× | |
| 33 | Michigan | ~6K | 0.95× | |
| 34 | Alabama | ~3K | 0.94× | |
| 35 | Louisiana | ~3K | 0.94× | |
| 36 | Missouri | ~4K | 0.93× | |
| 37 | Colorado | ~4K | 0.93× | |
| 38 | Washington, District of Columbia | <1K | 0.92× | |
| 39 | Vermont | <1K | 0.91× | |
| 40 | Ohio | ~7K | 0.90× | |
| 41 | Nebraska | ~1K | 0.90× | |
| 42 | New Hampshire | <1K | 0.90× | |
| 43 | South Dakota | <1K | 0.90× | |
| 44 | Mississippi | ~2K | 0.89× | |
| 45 | North Dakota | <1K | 0.88× | |
| 46 | Montana | <1K | 0.87× | |
| 47 | South Carolina | ~3K | 0.86× | |
| 48 | Delaware | <1K | 0.86× | |
| 49 | Wisconsin | ~3K | 0.85× | |
| 50 | Iowa | ~2K | 0.83× |
The strongest cross-interests of the Osamu Dazai audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Haruki Murakami | Literature | 144.70× | ||
| 02 | Existentialism | Arts & Culture | 32.51× | ||
| 03 | Avan Jogia | Movies & TV | 20.00× | ||
| 04 | malwarebytes | Technology & Electronics | 20.00× | ||
| 05 | International education | Business & Career | 17.09× | ||
| 06 | Good Will Hunting | Movies & TV | 15.12× | ||
| 07 | Magic: The Gathering | Games | 12.24× | ||
| 08 | Goth subculture | Fashion & Accessoires | 11.32× | ||
| 09 | Portrait painting | Arts & Culture | 11.11× | ||
| 10 | Tokyo | Travel & Leisure | 10.83× | ||
| 11 | The Legend of Zelda | Games | 9.16× | ||
| 12 | Graphic novel | Literature | 8.85× | ||
| 13 | Shōnen manga | Literature | 8.63× | ||
| 14 | DC Comics | Literature | 6.88× | ||
| 15 | Watercolor painting | Arts & Culture | 6.86× | ||
| 16 | Anime and manga fandom | Literature | 6.32× | ||
| 17 | GameStop | Games | 5.13× | ||
| 18 | Radio | Technology & Electronics | 3.48× | ||
| 19 | Internet & Social Media | 3.27× | |||
| 20 | Harry Potter | Movies & TV | 2.84× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 2.90× | |
| Individualism | JOY | 1.81× | |
| Urban Lifestyle | OPEN | 1.55× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Price Sensitivity | PREMIUM | 0.87× | |
| Indulgence | JOY | 0.90× | |
| Quality Awareness | PREMIUM | 0.90× |
Osamu Dazai has an estimated audience of 261,616 people in United States, concentrated in California and Texas.
63.6% of Osamu Dazai fans are female, 36.4% are male, with an average age of 30.8 years.
Osamu Dazai fans show strongest brand affinity for Haruki Murakami (144.7×), Existentialism (32.51×), and Avan Jogia (20×) over the country average.
Osamu Dazai fans in United States are most concentrated in California (reach ~40K), Texas (reach ~30K), and Florida (reach ~20K). These three regions account for the largest share of the active audience.
Beyond Osamu Dazai itself, the audience over-indexes on Existentialism (32.51×), Avan Jogia (20×), Magic: The Gathering (12.24×), and Tokyo (10.83×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Osamu Dazai. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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