A data profile of the people who buy, follow and care about Poetry in United States — modelled from more than twelve digital signal sources. Poetry has an estimated audience of 50,235,487 people in United States.
The average Poetry fan in United States is 39.4 years old, more female, and lives primarily in Texas.
The audience is concentrated in Texas, California, New York.
Top brand affinities include Literature, Gratitude, Bad Bunny, with strongest over-indexing on Literature (1.57× the country average).
Demographically, the Poetry audience skews more female with an average age of 39.4, and over-indexes on personality traits such as Extroversion, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Poetry fan in United States is more female, around 39.4 years old, with strong Extroversion tendencies and a notable affinity for Literature.
The key figures that characterise the Poetry profile in United States.
64.3% are female, 35.7% are male, average age 39.4.
| Metric | Value |
|---|---|
| Female | 64.3% |
| Male | 35.7% |
| Average age | 39.4 |
| Estimated audience size | 50,235,487 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 21% | |
| 20-29 | 18% | |
| 30-39 | 18% | |
| 40-49 | 19% | |
| 50+ | 23% |
Where the Poetry audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | South Dakota | ~500K | 4.33× | |
| 02 | Iowa | ~700K | 1.65× | |
| 03 | Texas | ~5M | 1.12× | |
| 04 | Vermont | ~100K | 1.12× | |
| 05 | Nebraska | ~300K | 1.11× | |
| 06 | Washington | ~1M | 1.09× | |
| 07 | New York | ~3M | 1.08× | |
| 08 | Minnesota | ~700K | 1.04× | |
| 09 | Montana | ~100K | 1.04× | |
| 10 | Kansas | ~400K | 1.03× | |
| 11 | Maryland | ~900K | 1.02× | |
| 12 | Alaska | ~100K | 1.02× | |
| 13 | Indiana | ~900K | 1.01× | |
| 14 | Oregon | ~600K | 1.01× | |
| 15 | Washington, District of Columbia | ~200K | 1.01× | |
| 16 | Virginia | ~1M | 1.00× | |
| 17 | Massachusetts | ~1M | 0.99× | |
| 18 | Georgia | ~1.5M | 0.98× | |
| 19 | Alabama | ~700K | 0.97× | |
| 20 | New Hampshire | ~200K | 0.97× | |
| 21 | Maine | ~200K | 0.97× | |
| 22 | Tennessee | ~1M | 0.96× | |
| 23 | Oklahoma | ~500K | 0.94× | |
| 24 | New Mexico | ~200K | 0.94× | |
| 25 | Arizona | ~900K | 0.93× | |
| 26 | Connecticut | ~500K | 0.92× | |
| 27 | Hawaii | ~200K | 0.92× | |
| 28 | Pennsylvania | ~1.5M | 0.91× | |
| 29 | North Carolina | ~1.5M | 0.91× | |
| 30 | Missouri | ~700K | 0.91× | |
| 31 | Illinois | ~1.5M | 0.89× | |
| 32 | Michigan | ~1M | 0.89× | |
| 33 | New Jersey | ~1M | 0.89× | |
| 34 | Louisiana | ~600K | 0.88× | |
| 35 | Mississippi | ~400K | 0.88× | |
| 36 | Arkansas | ~400K | 0.88× | |
| 37 | California | ~5M | 0.87× | |
| 38 | Idaho | ~200K | 0.87× | |
| 39 | Ohio | ~1.5M | 0.86× | |
| 40 | Utah | ~400K | 0.86× | |
| 41 | West Virginia | ~200K | 0.86× | |
| 42 | North Dakota | ~90K | 0.86× | |
| 43 | Kentucky | ~500K | 0.84× | |
| 44 | Rhode Island | ~100K | 0.84× | |
| 45 | Florida | ~3M | 0.82× | |
| 46 | Colorado | ~600K | 0.81× | |
| 47 | South Carolina | ~600K | 0.81× | |
| 48 | Wisconsin | ~600K | 0.80× | |
| 49 | Nevada | ~400K | 0.80× | |
| 50 | Delaware | ~100K | 0.77× |
The strongest cross-interests of the Poetry audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Latin Music | Music & Radio | 4.21× | ||
| 02 | Creative writing | Business & Career | 2.22× | ||
| 03 | Bad Bunny | Music & Radio | 1.98× | ||
| 04 | Spoken word | Business & Career | 1.98× | ||
| 05 | Short story | Literature | 1.94× | ||
| 06 | Psychological thriller | Literature | 1.83× | ||
| 07 | Tumblr | Internet & Social Media | 1.77× | ||
| 08 | Quotation | Business & Career | 1.76× | ||
| 09 | Crime fiction | Literature | 1.64× | ||
| 10 | Bookselling | Literature | 1.63× | ||
| 11 | Novel | Literature | 1.61× | ||
| 12 | Bestseller | Literature | 1.60× | ||
| 13 | Literature | Business & Career | 1.57× | ||
| 14 | Astrology | Health | 1.57× | ||
| 15 | Humorism | Literature | 1.57× | ||
| 16 | Barnes & Noble | Literature | 1.57× | ||
| 17 | Pacific Ocean | Travel & Leisure | 1.53× | ||
| 18 | Diary | Kids & Family | 1.53× | ||
| 19 | Gratitude | Politics & Society | 1.52× | ||
| 20 | Non-fiction books | Literature | 1.52× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Extroversion | THRILL | 1.35× | |
| Tradition | CONSERVATISM | 1.25× | |
| Mindfulness | BALANCE | 1.24× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Quality Awareness | PREMIUM | 0.99× | |
| Career Orientation | POWER | 1.00× | |
| Urban Lifestyle | OPEN | 1.02× |
Poetry has an estimated audience of 50,235,487 people in United States, concentrated in Texas and California.
64.3% of Poetry fans are female, 35.7% are male, with an average age of 39.4 years.
Poetry fans show strongest brand affinity for Literature (1.57×), Gratitude (1.52×), and Bad Bunny (1.98×) over the country average.
Poetry fans in United States are most concentrated in Texas (reach ~5M), California (reach ~5M), and New York (reach ~3M). These three regions account for the largest share of the active audience.
Beyond Poetry itself, the audience over-indexes on Gratitude (1.52×), Bad Bunny (1.98×), Creative writing (2.22×), and Novel (1.61×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Poetry. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
From global mass-market brands to niche local segments — explore the full library and see which intelligence layers are included.